http://www.noraphotos.com/p652872196 It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.<br/> <br/>There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.<br/> <br/>The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.<br/>Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).<br/> <br/>The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.<br/>Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.<br/>The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).<br/>The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923. <br/>As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed. <br/>Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city. en-us (C) Nora Photos nora@noraphotos.com (Nora Photos) Thu, 08 Mar 2012 21:00:56 GMT Wed, 18 Apr 2012 23:25:31 GMT Italy Europe Travel and Places http://www.noraphotos.com/img/s11/v36/p869899748-10.jpg http://www.noraphotos.com/p652872196 120 80 http://www.noraphotos.com/p652872196/e33D99DE4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e33D99DE4 Fri, 09 Mar 2012 00:38:36 GMT http://www.noraphotos.com/p652872196/e378BDA08

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e378BDA08 Thu, 08 Mar 2012 23:03:30 GMT http://www.noraphotos.com/p652872196/e34974308

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e34974308 Thu, 08 Mar 2012 23:34:03 GMT http://www.noraphotos.com/p652872196/eE329166

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eE329166 Thu, 08 Mar 2012 23:50:27 GMT http://www.noraphotos.com/p652872196/e1646D810

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1646D810 Thu, 08 Mar 2012 23:42:46 GMT http://www.noraphotos.com/p652872196/e33354CEB

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e33354CEB Thu, 08 Mar 2012 22:59:47 GMT http://www.noraphotos.com/p652872196/e3AF0AADE

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3AF0AADE Fri, 09 Mar 2012 00:36:34 GMT http://www.noraphotos.com/p652872196/e1AE12CA1

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1AE12CA1 Thu, 08 Mar 2012 23:58:08 GMT http://www.noraphotos.com/p652872196/e3E7D0257

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3E7D0257 Fri, 09 Mar 2012 00:41:10 GMT http://www.noraphotos.com/p652872196/e3B238AA0

]]>The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.

Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.

The name is derived from the ancient Veneti people who inhabited the region by the 10th century B.C. The city historically was the capital of the Venetian Republic. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City", and "City of Canals". Luigi Barzini described it in The New York Times as "undoubtedly the most beautiful city built by man". Venice has also been described as being one of Europe's most romantic cities.

The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.

While there are no historical records that deal directly with the obscure and peripheral origins of Venice, tradition and the available evidence have led several historians to agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing successive waves of Germanic and Hun invasions. Some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae ("lagoon dwellers"). The traditional founding is identified with the dedication of the first church, that of San Giacomo at the islet of Rialto (Rivoalto, "High Shore"), which is said to have been at the stroke of noon on 25 March 421.

Sometime in the first decades of the eighth century, the people of the lagoon elected their first leader Ursus, who was confirmed by Byzantium and given the titles of hypatus and dux. He was the first historical Doge of Venice.

During the reign of duke Agnello Particiaco (811–827) the ducal seat was moved from Malamocco to the highly protected Rialto, the current location of Venice. The monastery of St. Zachary and the first ducal palace and basilica of St. Mark, as well as a walled defense (civitatis murus) between Olivolo and Rialto were subsequently built here. Winged lions, which may be seen throughout Venice, are a symbol for St. Mark.

The city was governed by the Great Council, which was made up of members of the noble families of Venice. The Great Council appointed all public officials and elected a Senate of 200 to 300 individuals. Since this group was too large for efficient administration, a Council of Ten (also called the Ducal Council or the Signoria), controlled much of the administration of the city. One member of the great council was elected "Doge", or duke, the ceremonial head of the city, who normally held the title until his death.

The chief executive was the Doge, who theoretically held his elective office for life. In practice, several Doges were forced by pressure from their oligarchical peers to resign the office and retire into monastic seclusion when they were felt to have been discredited by perceived political failure. The Cavalieri di San Marco was the only order of chivalry ever instituted in Venice, and no citizen could accept or join a foreign order without the government's consent.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places Venice. Italy 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3B238AA0 Fri, 09 Mar 2012 02:52:37 GMT http://www.noraphotos.com/p652872196/e5D22F26

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e5D22F26 Fri, 09 Mar 2012 00:06:03 GMT http://www.noraphotos.com/p652872196/e3DEE1018

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3DEE1018 Thu, 08 Mar 2012 21:13:42 GMT http://www.noraphotos.com/p652872196/eD05D6AF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eD05D6AF Thu, 08 Mar 2012 23:46:45 GMT http://www.noraphotos.com/p652872196/e5F0FCC7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e5F0FCC7 Fri, 09 Mar 2012 00:07:04 GMT http://www.noraphotos.com/p652872196/e1DDEC243

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1DDEC243 Thu, 08 Mar 2012 22:24:15 GMT http://www.noraphotos.com/p652872196/e2CD748E5

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2CD748E5 Thu, 08 Mar 2012 23:06:23 GMT http://www.noraphotos.com/p652872196/e1F085B20

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1F085B20 Thu, 08 Mar 2012 23:54:14 GMT http://www.noraphotos.com/p652872196/e136435DB

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e136435DB Thu, 08 Mar 2012 23:38:11 GMT http://www.noraphotos.com/p652872196/e3AE93630

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3AE93630 Fri, 09 Mar 2012 00:23:20 GMT http://www.noraphotos.com/p652872196/e1E89328D

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1E89328D Thu, 08 Mar 2012 22:42:31 GMT http://www.noraphotos.com/p652872196/eE796103

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eE796103 Thu, 08 Mar 2012 23:49:40 GMT http://www.noraphotos.com/p652872196/e14967869

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e14967869 Thu, 08 Mar 2012 23:44:59 GMT http://www.noraphotos.com/p652872196/e2C05728E

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2C05728E Thu, 08 Mar 2012 22:55:33 GMT http://www.noraphotos.com/p652872196/e235C363B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e235C363B Fri, 09 Mar 2012 00:12:24 GMT http://www.noraphotos.com/p652872196/e31072EEF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e31072EEF Fri, 09 Mar 2012 00:32:52 GMT http://www.noraphotos.com/p652872196/e2937F6A5

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2937F6A5 Fri, 09 Mar 2012 00:44:49 GMT http://www.noraphotos.com/p652872196/e3FC3FE5F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3FC3FE5F Thu, 08 Mar 2012 22:59:45 GMT http://www.noraphotos.com/p652872196/e3DF4E50C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3DF4E50C Thu, 08 Mar 2012 21:48:25 GMT http://www.noraphotos.com/p652872196/e3FB348E6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3FB348E6 Thu, 08 Mar 2012 22:02:27 GMT http://www.noraphotos.com/p652872196/e21117FCF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e21117FCF Fri, 09 Mar 2012 00:40:05 GMT http://www.noraphotos.com/p652872196/e262BB644

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e262BB644 Fri, 09 Mar 2012 00:13:37 GMT http://www.noraphotos.com/p652872196/e33D831C7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e33D831C7 Thu, 08 Mar 2012 23:33:02 GMT http://www.noraphotos.com/p652872196/e9C510B4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e9C510B4 Thu, 08 Mar 2012 22:32:03 GMT http://www.noraphotos.com/p652872196/e388163B5

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e388163B5 Thu, 08 Mar 2012 21:43:38 GMT http://www.noraphotos.com/p652872196/e217ACCB

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e217ACCB Thu, 08 Mar 2012 21:26:41 GMT http://www.noraphotos.com/p652872196/e27A8D602

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e27A8D602 Fri, 09 Mar 2012 00:36:38 GMT http://www.noraphotos.com/p652872196/e29F3EAED

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e29F3EAED Fri, 09 Mar 2012 00:26:30 GMT http://www.noraphotos.com/p652872196/eD64597A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eD64597A Thu, 08 Mar 2012 23:53:38 GMT http://www.noraphotos.com/p652872196/e2A22AA67

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2A22AA67 Fri, 09 Mar 2012 00:26:35 GMT http://www.noraphotos.com/p652872196/e29643927

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e29643927 Thu, 08 Mar 2012 22:12:31 GMT http://www.noraphotos.com/p652872196/e3F6B191

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3F6B191 Fri, 09 Mar 2012 00:06:45 GMT http://www.noraphotos.com/p652872196/e32949BDE

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e32949BDE Thu, 08 Mar 2012 22:09:42 GMT http://www.noraphotos.com/p652872196/eEE1DEF7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eEE1DEF7 Thu, 08 Mar 2012 21:20:53 GMT http://www.noraphotos.com/p652872196/e28697ED2

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e28697ED2 Thu, 08 Mar 2012 23:26:49 GMT http://www.noraphotos.com/p652872196/e2082B0C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2082B0C Thu, 08 Mar 2012 22:49:13 GMT http://www.noraphotos.com/p652872196/e21CDEB18

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e21CDEB18 Fri, 09 Mar 2012 00:19:42 GMT http://www.noraphotos.com/p652872196/e288359C6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e288359C6 Fri, 09 Mar 2012 00:17:13 GMT http://www.noraphotos.com/p652872196/e26FD7616

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e26FD7616 Fri, 09 Mar 2012 00:32:36 GMT http://www.noraphotos.com/p652872196/e21D42771

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e21D42771 Thu, 08 Mar 2012 21:52:52 GMT http://www.noraphotos.com/p652872196/e727B605

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e727B605 Thu, 08 Mar 2012 22:37:41 GMT http://www.noraphotos.com/p652872196/e25532DDC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e25532DDC Thu, 08 Mar 2012 21:46:02 GMT http://www.noraphotos.com/p652872196/e155B7E80

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e155B7E80 Thu, 08 Mar 2012 23:39:10 GMT http://www.noraphotos.com/p652872196/e168D4906

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e168D4906 Thu, 08 Mar 2012 21:31:38 GMT http://www.noraphotos.com/p652872196/e49A0590

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e49A0590 Thu, 08 Mar 2012 21:18:06 GMT http://www.noraphotos.com/p652872196/e315F0F77

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e315F0F77 Thu, 08 Mar 2012 23:00:13 GMT http://www.noraphotos.com/p652872196/e20A5EDE6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e20A5EDE6 Fri, 09 Mar 2012 00:24:46 GMT http://www.noraphotos.com/p652872196/eBE99FBC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eBE99FBC Fri, 09 Mar 2012 00:01:23 GMT http://www.noraphotos.com/p652872196/eBADDF18

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eBADDF18 Thu, 08 Mar 2012 21:24:54 GMT http://www.noraphotos.com/p652872196/e2E3F5ED

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2E3F5ED Fri, 09 Mar 2012 00:01:20 GMT http://www.noraphotos.com/p652872196/e3BCFA05B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3BCFA05B Fri, 09 Mar 2012 00:14:12 GMT http://www.noraphotos.com/p652872196/e39AAAD87

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e39AAAD87 Fri, 09 Mar 2012 00:38:33 GMT http://www.noraphotos.com/p652872196/e35FAB46A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e35FAB46A Thu, 08 Mar 2012 23:30:12 GMT http://www.noraphotos.com/p652872196/e298C9FAB

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e298C9FAB Thu, 08 Mar 2012 21:04:28 GMT http://www.noraphotos.com/p652872196/e2A9D79B8

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2A9D79B8 Fri, 09 Mar 2012 00:21:53 GMT http://www.noraphotos.com/p652872196/eA7A8124

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eA7A8124 Thu, 08 Mar 2012 23:36:00 GMT http://www.noraphotos.com/p652872196/e2CD51887

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2CD51887 Fri, 09 Mar 2012 00:33:44 GMT http://www.noraphotos.com/p652872196/e2BA3F76

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2BA3F76 Fri, 09 Mar 2012 00:54:14 GMT http://www.noraphotos.com/p652872196/eE48F47B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eE48F47B Fri, 09 Mar 2012 00:54:33 GMT http://www.noraphotos.com/p652872196/e5FB0814

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e5FB0814 Thu, 08 Mar 2012 21:14:16 GMT http://www.noraphotos.com/p652872196/e3F5A2CB4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3F5A2CB4 Thu, 08 Mar 2012 23:00:33 GMT http://www.noraphotos.com/p652872196/e10554963

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e10554963 Thu, 08 Mar 2012 22:41:38 GMT http://www.noraphotos.com/p652872196/e24C892C0

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e24C892C0 Thu, 08 Mar 2012 21:07:12 GMT http://www.noraphotos.com/p652872196/e318DF419

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e318DF419 Fri, 09 Mar 2012 00:12:06 GMT http://www.noraphotos.com/p652872196/e25C5F1D6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e25C5F1D6 Thu, 08 Mar 2012 22:54:24 GMT http://www.noraphotos.com/p652872196/e2BFEBAF7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2BFEBAF7 Thu, 08 Mar 2012 22:54:59 GMT http://www.noraphotos.com/p652872196/e2A574310

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2A574310 Thu, 08 Mar 2012 22:55:01 GMT http://www.noraphotos.com/p652872196/e30D0E0BC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e30D0E0BC Thu, 08 Mar 2012 22:53:12 GMT http://www.noraphotos.com/p652872196/e3464F559

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3464F559 Thu, 08 Mar 2012 21:51:13 GMT http://www.noraphotos.com/p652872196/e3E194EC9

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3E194EC9 Thu, 08 Mar 2012 22:55:02 GMT http://www.noraphotos.com/p652872196/e3B3BF2EC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3B3BF2EC Thu, 08 Mar 2012 21:52:50 GMT http://www.noraphotos.com/p652872196/e3D05A794

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3D05A794 Thu, 08 Mar 2012 21:54:41 GMT http://www.noraphotos.com/p652872196/e84E35F4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e84E35F4 Thu, 08 Mar 2012 22:39:16 GMT http://www.noraphotos.com/p652872196/e3ADD6D84

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3ADD6D84 Fri, 09 Mar 2012 00:27:40 GMT http://www.noraphotos.com/p652872196/e56E832D

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e56E832D Thu, 08 Mar 2012 22:44:09 GMT http://www.noraphotos.com/p652872196/eED41585

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eED41585 Thu, 08 Mar 2012 22:46:30 GMT http://www.noraphotos.com/p652872196/e217D0920

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e217D0920 Thu, 08 Mar 2012 23:00:02 GMT http://www.noraphotos.com/p652872196/e304D90E6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e304D90E6 Thu, 08 Mar 2012 23:00:02 GMT http://www.noraphotos.com/p652872196/e3FC94B1F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3FC94B1F Thu, 08 Mar 2012 23:12:00 GMT http://www.noraphotos.com/p652872196/e26CCA00

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e26CCA00 Thu, 08 Mar 2012 23:41:51 GMT http://www.noraphotos.com/p652872196/eF5DFE00

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eF5DFE00 Thu, 08 Mar 2012 22:18:39 GMT http://www.noraphotos.com/p652872196/e39467A49

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e39467A49 Thu, 08 Mar 2012 23:20:01 GMT http://www.noraphotos.com/p652872196/e1C3795E0

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1C3795E0 Thu, 08 Mar 2012 23:55:45 GMT http://www.noraphotos.com/p652872196/e35CE51F3

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e35CE51F3 Fri, 09 Mar 2012 00:19:48 GMT http://www.noraphotos.com/p652872196/e2FCAC5F6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2FCAC5F6 Thu, 08 Mar 2012 23:00:32 GMT http://www.noraphotos.com/p652872196/e327A7D7C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e327A7D7C Thu, 08 Mar 2012 22:55:10 GMT http://www.noraphotos.com/p652872196/e3FA60C2D

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3FA60C2D Thu, 08 Mar 2012 22:55:12 GMT http://www.noraphotos.com/p652872196/eA7E1898

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eA7E1898 Thu, 08 Mar 2012 21:29:24 GMT http://www.noraphotos.com/p652872196/e11D3C6CA

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e11D3C6CA Thu, 08 Mar 2012 21:19:08 GMT http://www.noraphotos.com/p652872196/eAB4DD

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eAB4DD Thu, 08 Mar 2012 22:16:50 GMT http://www.noraphotos.com/p652872196/e2EAF9D32

]]>The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.

In 810, Doge Angelo Partecipazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci, a ducal palace, should be built. However, no traces remains of that 9th century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172-1178). A great reformer, he would drastically change the entire layout of the St. Mark's Square. The new palace was built out of fortresses, one façade to the Piazzeta, the other overlooking the St. Mark's Lagoon.
Political changes in the mid-13th century led to the need to re-think the palace's structure due to the considerable increase in the number of the Great Council's members. Only in 1424, did Doge Francesco Foscari decide to extend the rebuilding works to the wing overlooking the Piazzetta, serving as law-courts, and with a ground floor arcade on the outside, open first floor loggias running along the façade, and the internal courtyard side of the wing, completed with the construction of the Porta della Carta (1442).
In 1483, a violent fire broke out in the side of the palace overlooking the canal, where the Doge's Apartments were. Once again, an important reconstruction became necessary and was commissioned from Antonio Rizzo, who would introduce the new Renaissance language to the building's architecture. An entire new structure was raised alongside the canal, stretching from the ponte della Canonica to the Ponte della Paglia, with the official rooms of the government decorated with works commissioned from Vittore Carpaccio, Giorgione, Alvise Vivarini and Giovanni Bellini.
Another huge fire in 1547 destroyed some of the rooms on the second floor, but fortunately without undermining the structure as a whole. Refurbishment works were being held at the palace when on 1577 a third fire destroyed the Scrutinio Room and the Great Council Chamber, together with works by Gentile da Fabriano, Pisanello, Alvise Vivarini, Vittore Carpaccio, Giovanni Bellini, Pordenone, and Titian. In the subsequent rebuilding work it was decided to respect the original Gothic style, despite the submission of a neo-classical alternative designs by the influential Renaissance architect Andrea Palladio. However, there are some classical features — for example, since the 16th century, the palace has been linked to the prison by the Bridge of Sighs.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.
The oldest part of the palace is the façade overlooking the lagoon, the corners of which are decorated with 14th century sculptures by Filippo Calendario and various Lombard artists such as Raverti and Antonio Bregno. The ground floor arcade and the loggia above are decorated with 14th and 15th century capitals, some of which were replaced with copies during the 19th century.
The north side of the courtyard is closed by the junction between the palace and St. Mark’s Basilica, which used to be the Doge’s chapel. At the center of the courtyard stand two well-heads dating from the mid-16th century.
In 1485, the Great Council decided that a ceremonial staircase should be built within the courtyard. The design envisaged a straight axis with the rounded Foscari Arch, with alternate bands of Istrian stone and red Verona marble, linking the staircase to the Porta della Carta, and thus producing one single monumental approach from the Piazza into the heart of he building. Since 1567, the Giants’ Staircase is guarded by Sansovino’s two colossal statues of Mars and Neptune, which represents Venice’s power by land and by sea, and therefore the reason for its name. Members of the Senate gathered before government meetings in the Senator’s Courtyard, to the right of the Giants’ Staircase.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Doge's Palace Venice. Italy 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2EAF9D32 Fri, 09 Mar 2012 02:48:37 GMT http://www.noraphotos.com/p652872196/e3D4FDC48

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3D4FDC48 Thu, 08 Mar 2012 21:46:23 GMT http://www.noraphotos.com/p652872196/e3B84184B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3B84184B Thu, 08 Mar 2012 22:59:58 GMT http://www.noraphotos.com/p652872196/e1FE84AA7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1FE84AA7 Fri, 09 Mar 2012 00:04:13 GMT http://www.noraphotos.com/p652872196/e2E557F53

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2E557F53 Thu, 08 Mar 2012 23:15:43 GMT http://www.noraphotos.com/p652872196/e366F5CDF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e366F5CDF Thu, 08 Mar 2012 22:05:28 GMT http://www.noraphotos.com/p652872196/e2750A48C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2750A48C Thu, 08 Mar 2012 22:05:25 GMT http://www.noraphotos.com/p652872196/e19337A8D

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e19337A8D Thu, 08 Mar 2012 21:22:01 GMT http://www.noraphotos.com/p652872196/e2FFE447C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2FFE447C Thu, 08 Mar 2012 23:16:47 GMT http://www.noraphotos.com/p652872196/e282638D6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e282638D6 Thu, 08 Mar 2012 23:22:57 GMT http://www.noraphotos.com/p652872196/e813D6BD

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e813D6BD Thu, 08 Mar 2012 22:36:22 GMT http://www.noraphotos.com/p652872196/e3A5E5CC3

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3A5E5CC3 Thu, 08 Mar 2012 23:06:51 GMT http://www.noraphotos.com/p652872196/e36A6E1F4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e36A6E1F4 Thu, 08 Mar 2012 23:00:00 GMT http://www.noraphotos.com/p652872196/e24192172

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e24192172 Thu, 08 Mar 2012 23:00:06 GMT http://www.noraphotos.com/p652872196/e111188F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e111188F Fri, 09 Mar 2012 00:02:48 GMT http://www.noraphotos.com/p652872196/e28ECD41A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e28ECD41A Thu, 08 Mar 2012 23:00:08 GMT http://www.noraphotos.com/p652872196/e34B9C1B4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e34B9C1B4 Fri, 09 Mar 2012 00:16:34 GMT http://www.noraphotos.com/p652872196/e10491B66

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e10491B66 Thu, 08 Mar 2012 22:26:53 GMT http://www.noraphotos.com/p652872196/e20558F03

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e20558F03 Thu, 08 Mar 2012 23:29:41 GMT http://www.noraphotos.com/p652872196/eF7C616B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eF7C616B Thu, 08 Mar 2012 21:41:00 GMT http://www.noraphotos.com/p652872196/e1660BC79

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1660BC79 Thu, 08 Mar 2012 22:20:07 GMT http://www.noraphotos.com/p652872196/eC216DEC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eC216DEC Thu, 08 Mar 2012 22:22:09 GMT http://www.noraphotos.com/p652872196/e14B9CE8F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e14B9CE8F Thu, 08 Mar 2012 21:24:40 GMT http://www.noraphotos.com/p652872196/e2851D8AA

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2851D8AA Thu, 08 Mar 2012 23:24:37 GMT http://www.noraphotos.com/p652872196/e54F6701

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e54F6701 Thu, 08 Mar 2012 21:37:07 GMT http://www.noraphotos.com/p652872196/e438EC7F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e438EC7F Thu, 08 Mar 2012 23:44:40 GMT http://www.noraphotos.com/p652872196/e278B272C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e278B272C Thu, 08 Mar 2012 22:58:06 GMT http://www.noraphotos.com/p652872196/e23251F30

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e23251F30 Fri, 09 Mar 2012 00:09:06 GMT http://www.noraphotos.com/p652872196/e9C099FC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e9C099FC Thu, 08 Mar 2012 23:41:47 GMT http://www.noraphotos.com/p652872196/e3F0F6B0A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3F0F6B0A Fri, 09 Mar 2012 00:18:19 GMT http://www.noraphotos.com/p652872196/e218ABB5F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e218ABB5F Thu, 08 Mar 2012 23:23:08 GMT http://www.noraphotos.com/p652872196/e3541EF6B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3541EF6B Thu, 08 Mar 2012 23:21:42 GMT http://www.noraphotos.com/p652872196/e1736772

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1736772 Thu, 08 Mar 2012 23:52:25 GMT http://www.noraphotos.com/p652872196/e3C0EA8ED

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3C0EA8ED Thu, 08 Mar 2012 21:49:35 GMT http://www.noraphotos.com/p652872196/e27C89CCF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e27C89CCF Thu, 08 Mar 2012 22:54:54 GMT http://www.noraphotos.com/p652872196/e2F61302A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2F61302A Thu, 08 Mar 2012 23:16:43 GMT http://www.noraphotos.com/p652872196/e1F26EC5C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1F26EC5C Thu, 08 Mar 2012 22:40:50 GMT http://www.noraphotos.com/p652872196/e191456B9

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e191456B9 Thu, 08 Mar 2012 23:58:50 GMT http://www.noraphotos.com/p652872196/e208954CC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e208954CC Thu, 08 Mar 2012 23:06:24 GMT http://www.noraphotos.com/p652872196/e3B96ED5B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3B96ED5B Thu, 08 Mar 2012 22:54:55 GMT http://www.noraphotos.com/p652872196/e3DAFEA7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3DAFEA7 Thu, 08 Mar 2012 21:28:35 GMT http://www.noraphotos.com/p652872196/e3B801026

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3B801026 Thu, 08 Mar 2012 22:54:56 GMT http://www.noraphotos.com/p652872196/e2C33C2A5

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2C33C2A5 Thu, 08 Mar 2012 22:54:57 GMT http://www.noraphotos.com/p652872196/e1641077A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1641077A Thu, 08 Mar 2012 21:15:11 GMT http://www.noraphotos.com/p652872196/e276B1921

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e276B1921 Thu, 08 Mar 2012 21:56:04 GMT http://www.noraphotos.com/p652872196/e26010CA8

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e26010CA8 Fri, 09 Mar 2012 00:34:36 GMT http://www.noraphotos.com/p652872196/e306F9284

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e306F9284 Thu, 08 Mar 2012 22:10:33 GMT http://www.noraphotos.com/p652872196/e3C6FAC6B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3C6FAC6B Thu, 08 Mar 2012 22:54:58 GMT http://www.noraphotos.com/p652872196/e3AEFBE58

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3AEFBE58 Fri, 09 Mar 2012 00:16:23 GMT http://www.noraphotos.com/p652872196/e39D516FF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e39D516FF Thu, 08 Mar 2012 22:54:59 GMT http://www.noraphotos.com/p652872196/e2ED92B2A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2ED92B2A Thu, 08 Mar 2012 23:32:22 GMT http://www.noraphotos.com/p652872196/eF54FF3

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eF54FF3 Thu, 08 Mar 2012 21:32:35 GMT http://www.noraphotos.com/p652872196/e2F8B0946

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2F8B0946 Thu, 08 Mar 2012 22:01:40 GMT http://www.noraphotos.com/p652872196/e1B94F44D

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1B94F44D Thu, 08 Mar 2012 22:16:09 GMT http://www.noraphotos.com/p652872196/e28793597

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e28793597 Thu, 08 Mar 2012 22:55:03 GMT http://www.noraphotos.com/p652872196/e2E84CC89

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2E84CC89 Fri, 09 Mar 2012 00:31:53 GMT http://www.noraphotos.com/p652872196/e2BC60744

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2BC60744 Thu, 08 Mar 2012 22:55:04 GMT http://www.noraphotos.com/p652872196/e2CADFB5D

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2CADFB5D Thu, 08 Mar 2012 22:55:03 GMT http://www.noraphotos.com/p652872196/e37A7E774

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e37A7E774 Fri, 09 Mar 2012 00:10:51 GMT http://www.noraphotos.com/p652872196/e3F17B12B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3F17B12B Thu, 08 Mar 2012 23:02:26 GMT http://www.noraphotos.com/p652872196/e2A0257EC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2A0257EC Thu, 08 Mar 2012 23:08:43 GMT http://www.noraphotos.com/p652872196/e1F69B4DF

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e1F69B4DF Thu, 08 Mar 2012 22:36:19 GMT http://www.noraphotos.com/p652872196/e33446CB0

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e33446CB0 Fri, 09 Mar 2012 00:41:21 GMT http://www.noraphotos.com/p652872196/e30A9F4A7

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e30A9F4A7 Thu, 08 Mar 2012 22:55:06 GMT http://www.noraphotos.com/p652872196/e3179B306

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3179B306 Thu, 08 Mar 2012 22:56:40 GMT http://www.noraphotos.com/p652872196/e207D32F

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e207D32F Thu, 08 Mar 2012 21:37:06 GMT http://www.noraphotos.com/p652872196/e37A3FA40

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e37A3FA40 Thu, 08 Mar 2012 23:31:05 GMT http://www.noraphotos.com/p652872196/e32E95103

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e32E95103 Thu, 08 Mar 2012 23:21:16 GMT http://www.noraphotos.com/p652872196/e138D0E39

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e138D0E39 Thu, 08 Mar 2012 22:20:10 GMT http://www.noraphotos.com/p652872196/e3D93F9C8

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3D93F9C8 Thu, 08 Mar 2012 22:55:06 GMT http://www.noraphotos.com/p652872196/e596C83E

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e596C83E Thu, 08 Mar 2012 23:38:18 GMT http://www.noraphotos.com/p652872196/e36A4DE64

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e36A4DE64 Thu, 08 Mar 2012 22:55:07 GMT http://www.noraphotos.com/p652872196/e2D1875AE

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2D1875AE Thu, 08 Mar 2012 21:55:45 GMT http://www.noraphotos.com/p652872196/e318B4016

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e318B4016 Thu, 08 Mar 2012 23:10:45 GMT http://www.noraphotos.com/p652872196/e2AC5F05A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2AC5F05A Thu, 08 Mar 2012 22:14:12 GMT http://www.noraphotos.com/p652872196/e29C7630E

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e29C7630E Fri, 09 Mar 2012 00:30:02 GMT http://www.noraphotos.com/p652872196/e2108392A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2108392A Thu, 08 Mar 2012 22:51:30 GMT http://www.noraphotos.com/p652872196/e3063AA1

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3063AA1 Thu, 08 Mar 2012 22:45:41 GMT http://www.noraphotos.com/p652872196/e3BFED4E0

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3BFED4E0 Thu, 08 Mar 2012 22:55:09 GMT http://www.noraphotos.com/p652872196/e3AE68338

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3AE68338 Thu, 08 Mar 2012 21:09:06 GMT http://www.noraphotos.com/p652872196/e300DC93A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e300DC93A Thu, 08 Mar 2012 21:11:47 GMT http://www.noraphotos.com/p652872196/e24306025

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e24306025 Thu, 08 Mar 2012 23:04:35 GMT http://www.noraphotos.com/p652872196/e37423CC8

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e37423CC8 Thu, 08 Mar 2012 23:00:04 GMT http://www.noraphotos.com/p652872196/e3691774A

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3691774A Thu, 08 Mar 2012 23:26:35 GMT http://www.noraphotos.com/p652872196/e201833AC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e201833AC Fri, 09 Mar 2012 00:29:07 GMT http://www.noraphotos.com/p652872196/e13610D31

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e13610D31 Thu, 08 Mar 2012 22:32:49 GMT http://www.noraphotos.com/p652872196/e123CC4F8

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e123CC4F8 Thu, 08 Mar 2012 22:25:55 GMT http://www.noraphotos.com/p652872196/e284AB172

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e284AB172 Thu, 08 Mar 2012 23:12:13 GMT http://www.noraphotos.com/p652872196/e3FF579BD

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3FF579BD Fri, 09 Mar 2012 00:22:20 GMT http://www.noraphotos.com/p652872196/e360D9F95

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e360D9F95 Fri, 09 Mar 2012 00:29:08 GMT http://www.noraphotos.com/p652872196/e2C5272D3

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2C5272D3 Fri, 09 Mar 2012 00:43:06 GMT http://www.noraphotos.com/p652872196/e2C2CBEC6

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2C2CBEC6 Thu, 08 Mar 2012 21:55:58 GMT http://www.noraphotos.com/p652872196/e3F577E3C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3F577E3C Thu, 08 Mar 2012 23:11:21 GMT http://www.noraphotos.com/p652872196/e245E9AF2

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e245E9AF2 Thu, 08 Mar 2012 23:28:39 GMT http://www.noraphotos.com/p652872196/e3A72B3E0

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3A72B3E0 Thu, 08 Mar 2012 22:52:39 GMT http://www.noraphotos.com/p652872196/e2CF689C8

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2CF689C8 Thu, 08 Mar 2012 22:51:28 GMT http://www.noraphotos.com/p652872196/eFD74AFC

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/eFD74AFC Thu, 08 Mar 2012 23:40:51 GMT http://www.noraphotos.com/p652872196/e2BEFBACE

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2BEFBACE Thu, 08 Mar 2012 22:50:39 GMT http://www.noraphotos.com/p652872196/e39165B

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e39165B Thu, 08 Mar 2012 23:40:42 GMT http://www.noraphotos.com/p652872196/e2A319392

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2A319392 Fri, 09 Mar 2012 00:44:01 GMT http://www.noraphotos.com/p652872196/e31289BD4

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e31289BD4 Thu, 08 Mar 2012 23:14:27 GMT http://www.noraphotos.com/p652872196/e3BE292A1

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3BE292A1 Fri, 09 Mar 2012 00:09:17 GMT http://www.noraphotos.com/p652872196/e2E0B2A91

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e2E0B2A91 Thu, 08 Mar 2012 23:00:12 GMT http://www.noraphotos.com/p652872196/e3ACBEE54

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in the Renaissance. After a long absence, the Carnival return to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of their efforts. Today, approximately 3,000,000 visitors come to Venice each day for Carnivals.

There is very little evidence explaining the motive for the earliest mask wearing in Venice. It has been argued that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.

The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).

The city stretches across 117 small islands in the marshy Venetian Lagoon along the Adriatic Sea in northeast Italy.
Situated on the Adriatic Sea, Venice always traded with the Byzantine Empire and the Muslim world extensively. By the late thirteenth century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce.
The Patriarchal Cathedral Basilica of Saint Mark (officially known in Italian as the Basilica Cattedrale Patriarcale di San Marco and commonly known as Saint Mark's Basilica) is the cathedral church of the Roman Catholic Archdiocese of Venice. It is the most famous of the city's churches and one of the best known examples of Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello. For its opulent design, gilded Byzantine mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The Doge's Palace (Italian: Palazzo Ducale) is a gothic palace, and one of the main landmarks of the city of Venice. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice, opening as a museum in 1923.
As well as being the ducal residence, the palace housed political institutions of the Republic of Venice until the Napoleonic occupation of the city in 1797, when its role inevitably changed.
Venice was subjected first to French rule, then to Austrian, and finally in 1866 it became part of Italy. Over this period, the palace as occupied by various administrative offices as well as housing the Biblioteca Marciana and other important cultural institutions within the city.

]]> nora@noraphotos.com (Nora Photos) Italy Europe Travel and Places The Carnival of Venice 2012© Nora de Angelli / www.noraphotos.com http://www.noraphotos.com/p652872196/e3ACBEE54 Thu, 08 Mar 2012 23:02:25 GMT http://www.noraphotos.com/p652872196/e3C9CCC8C

]]>It is said that the Carnival of Venice was originated from a victory of the "Repubblica della Serenissima", Venice previous name, against the Patriarch of Aquileia, Ulrico in the year 1162. In the honour of this victory, the people started to dance and make reunions in San Marco Square. Apparently this festival started on that period and become official in t